How to Have Stage Presence For Groups

By Terrence Harper

1. Prepare and rehearse. Know everybody else’s lyrics, so that you can fill in and define parts of the song to get or keep the crowd hyped. Rehearsal is important in order to show that your a professional or on the brink of becoming a pro, you’d got to know where the other person should be onstage.

2. The lead vocalist should almost always take center stage, then move from right to left interacting with the crowd. Always, go center stage when your verse starts this brings the attention to you, especially if you have multiple people on stage. Read more »

Learn Proper Breathing Support For Singing

By Sarah Walther

In singing proper breathing support is very important, because it is one of the foundation. Proper support must be observed for you to have quality voice and it makes singing a joy. If you have proper support, in the eyes of the audience the production seems effortless and magical. In this article I’m going to share to you helpful tips and learn to sing with proper breathing support.

Stand Tall

In singing perfect posture is very vital as well as good breath control. In doing this, you have to look at the mirror by standing sideways and observe your posture. You must see to it that your back is as straight as a board. Read more »

How To Be A Professional Singer

By Chris Chew

So your friends have been telling you that you are a talented and good singer. You have a rich clear singing voice, a unique performing style and that you could even make it to the finals of the American Idol show or the singing idol contest of whichever country that you are in.

You are basking with joy with all these compliments pertaining to your singing ability and is toying with the idea of becoming a professional singer, but you do know that to break into the music and entertainment industry is a very stormy ride. So the question is how are you going to become a successful professional singer and to be a good one at that?

First of all, let us be realistic. Making the all important transition from an amateur to a professional in any field can be a daunting task and even more so in a the entertainment industry like singing or acting. Read more »

Be a Star By Serving The Music, Sing Backup

If you want to be center stage and lead act of the show, you cannot sing backup. You must sing behind the lead act, not overpower them. You must be able to play a supporting position to the idol and not feel left out if you want to sing backup.

To sing backup is much harder than it looks. Backup singing requires a great amount of listening and being very sensitive to the main singer, much as an instrumental accompanist would. You must learn to breathe and begin and end your phrase as the main singer does. You must, in effect be the singers shadow.

Hopefully you have some input or control over where you sit or stand on stage. See to it that you can see the singer at all times. The job of backup singing is much harder if you can’t see the singers face. Watch the singer to learn where they are going. The singer will change course or make a mistake and only if you are aware can you react. Watch the singer intently and always. Be on the lookout for a simple nod of the head or gesture that may indicate a repeat or change of course. Read more »

How Many Tracks Should be on a Demo?

By Clare Knight

Making music demos is probably the number one way that bands seek to get themselves a record contract. Unfortunately, as is the case with unsolicited manuscripts sent to publishers by aspiring writers, most of these demos will go unnoticed.

The fact is that record company A&R people have a ton of material thrown their way every day and there simply isn’t enough time in the day for them to listen to all of it. When they do listen to demo CD’s sent in by artists, however, there are definite limits to how much time they can be expected to invest.

Demos should essentially give a broad overview of a band, their style and their flexibility in writing and performing music. Each of the CD tracks should be well-produced and have a professional feel. While there is certainly some charm in material that isn’t overly-produced, A&R people need to hear the band unencumbered by poor recording techniques to make a decision as to whether to call the artist or simply toss the CD into the rubbish bin where, sadly, a great many demo CD’s do end up. Read more »