1. Prepare and rehearse. Know everybody else’s lyrics, so that you can fill in and define parts of the song to get or keep the crowd hyped. Rehearsal is important in order to show that your a professional or on the brink of becoming a pro, you’d got to know where the other person should be onstage.

2. The lead vocalist should almost always take center stage, then move from right to left interacting with the crowd. Always, go center stage when your verse starts this brings the attention to you, especially if you have multiple people on stage.

3. When being the leading vocalist of a song whether it’s a hype song or mellow, use apart of your body to keep the beat or rhythm of the music such as; dancing, moving the mic to the beat, move your hips to the beat, etc…. This shows the crowd your into it, and pulls them into your world.

4. Setting up your song- People want to be able to connect with you as a performer. Talk to them, tell them a short story about yourself that leads up to a song. Either, the story can be funny or serious, as long as it leads into a song that emphasizes the feelings of the story, your audience will be able to connect with you.

5. Have fun- the audience knows when your nervous or having a bad day. Being able to perform in front of people should get you amp’d anyways. But most importantly have fun, show the crowd that your enjoying yourself, and they will enjoy right along with you.

TIPS:

A. Rehearsal is the building block of all performances. It can bring you great ideas and x out the bad ones. Rehearsal is important because it makes your shows tight, meaning like a well taught karate move, you do it without thought or thinking. Rehearsal is the only thing that can make your show cohesive and eliminates the stars from the fakers.

B. Mirrors- If you have the means to do it. Mirrors can be great in fine tuning a act. As in step 1 on this “how to”, in a mirror you can see where everybody is and what there doing when your in the middle of your verse.

C. Back to rehearsals- If you ever get pre-stage jitters rehearsal can fix that. Just when you rehearse imagine yourself and how’d you want to feel in front of a audience, even the nervousness. It will help you cope with.

WARNING

DO NOT, I repeat DO NOT turn your back to the audience unless it’s incorporated in your show plans. If you turn your back it may show that your disinterested in the performance and you may loose touch with your audience.

DO NOT try to get the crowd hype and follow you if the crowd is honestly not feeling you yet. You may totally loose touch and you may be faced with a crowd full of blank stares. Or worse, you may loose your mojo totally and get the infamous booooooooooo…

http://www.lokey210.blogspot.com

Article Source: http://EzineArticles.com/?expert=Terrence_Harper
http://EzineArticles.com/?How-to-Have-Stage-Presence-For-Groups&id=3315915

To sing backup is much harder than it looks. Backup singing requires a great amount of listening and being very sensitive to the main singer, much as an instrumental accompanist would. You must learn to breathe and begin and end your phrase as the main singer does. You must, in effect be the singers shadow.

Hopefully you have some input or control over where you sit or stand on stage. See to it that you can see the singer at all times. The job of backup singing is much harder if you can’t see the singers face. Watch the singer to learn where they are going. The singer will change course or make a mistake and only if you are aware can you react. Watch the singer intently and always. Be on the lookout for a simple nod of the head or gesture that may indicate a repeat or change of course.

Learn to blend your phrasing to the will of the singer. You can start your phrase just behind the singers phrase if you want to blend properly. If you are not sure of how loud they are going to be, start your phrase quietly and raise your level as the phrase develops. Do not pronounce consonants too hard at the start of a melody. Two consonants sung slightly after each other will sound unpleasant and is largely avoidable.

The end of melodies are just as critical as the beginning. As the singer approaches the end of a line, gradually decrease your volume so you can avoid the embarrassment of ending after they do. Listen, watch, blend melodies and you can be a professional backup singer every band would love to have.

Article source: FreeArticlesForWebsites.com