It’s not easy to get gigs singing on sessions or demos. You can’t just send out a resume and expect to get an interview and a job. You need to be methodical and treat the job hunt as a business, because that’s what it is.
Tom Gauger in a post on Singeruniverse.com has more to say:
As a singer, trying to break into the music industry, even as a session singer with no real aspiration of signing an artist deal, it can be tough – But it is doable and with real talent and drive you can make it. One of the most appealing aspects to session singers is that it does in fact take talent if you’re in it for the long haul, making it feasible to break into the market.Continue reading How to Get Started As a Session-Demo Singer
By Clare Knight
Making music demos is probably the number one way that bands seek to get themselves a record contract. Unfortunately, as is the case with unsolicited manuscripts sent to publishers by aspiring writers, most of these demos will go unnoticed.
The fact is that record company A&R people have a ton of material thrown their way every day and there simply isn’t enough time in the day for them to listen to all of it. When they do listen to demo CD’s sent in by artists, however, there are definite limits to how much time they can be expected to invest.
Demos should essentially give a broad overview of a band, their style and their flexibility in writing and performing music. Each of the CD tracks should be well-produced and have a professional feel. While there is certainly some charm in material that isn’t overly-produced, A&R people need to hear the band unencumbered by poor recording techniques to make a decision as to whether to call the artist or simply toss the CD into the rubbish bin where, sadly, a great many demo CD’s do end up.Continue reading How Many Tracks Should be on a Demo?