Do You Have What It Takes To Be A True Artist? – Part 3
By Chris Standring
The real communicating artists seek unique expression. They are not interested anymore in sounding like their heroes. They have moved past that, now searching constantly, developing and refining their own unique voice.
Look at any of the true giants of yesterday and today. Yes you can hear their references, but they also have their own strong identity. At some point during their development something bigger than them took over. The chances are they knew it at the time and took advantage of it and made an extra effort to really hone that uniqueness.
Finding that unique inner voice might not be as easy for some. I think it starts by recognizing your technical weaknesses. It is often those weaknesses that ultimately end up becoming your artistic strengths.
Let’s face it, if you were able to play the guitar technically perfect, at all speeds, meticulously so every note that came out was totally clean and audible, would this be ultimately interesting to an audience?
Yes it might be very clever and impressive, but for how long could you listen to an album where every phrase felt like you were having your teeth drilled!!?
Wes Montgomery played with his thumb because he kept dropping his pick, ultimately enabling him to become the greatest and most influential jazz guitarist of all time.
BB King has about three licks in his entire blues repertoire. Does anyone NOT know BB King when they hear him?
Thelonius Monk refused to conform to traditional piano techniques and musical ideas. He simply HAD to play music the way he heard it in his head. He made such a bold musical statement during his time that he is emulated the world over and revered by the greatest musicians living today.
Technical shortcomings can be the very essence of your unique artistry. Now, should those shortcomings get in the way of what you need to say musically then those weaknesses might need to be turned around so they don’t restrict what you hear in your head.
Remember, the true artist simply communicates from within. All other extraneous thoughts, influences and distractions need to fall by the wayside. The minute a lick or a phrase that your hero played or sung (and made famous) ends up on your record – watch out! You might be in trouble.
Absolutely steal from your heroes, but just remember that real artistry is about what YOU have to say, not what your heroes have already said before, and have possibly said better.
Push yourself to the max and search for that truly unique quality within. After all, that next great talent we are all so desperately waiting for might just be you!
Chris Standring is a contemporary jazz recording artist who performs throughout the USA and Europe regularly. He has enjoyed much radio airplay with several albums, opening up a busy touring schedule. His music appears on many compilation CDs also. For more info on Chris’ popular home study jazz guitar course go to PlayJazzGuitar.com