Thinking of going out as a solo musician? There are lots of reasons to do so, even if you are already in, or plan to be in, a band.
It can (sometimes) be easier to get (and keep) gigs, plus you don’t have to split the money into multiple tiny pieces. You also don’t have to worry about band members who don’t show up, are difficult to deal with, or can’t remember how to play the songs you rehearsed.
Here are a few more tips from an article on the website bandsonabudget.com:
-Take yourself seriously. If you don’t take yourself seriously because you’re a solo musician and not in a band, you should probably stop now. Less is more sometimes, and a one person performance can certainly be EPIC if not more epic than a full band performance. People are used to seeing rock bands play, and they’re use to seeing boring acoustic gigs as well. Make sure you take it up a notch. Play with heart, and deliver. This leads us to…Read more: Gigging as a Solo Musician
You may not be a big rock star (yet!), but … someday. It could happen.
Now is the time to either learn how to treat your fans the way they should be treated, or start practicing how to be annoying as only a star can be.
Here from Rolling Stone are a few things you could start working on now.
1. Show up ridiculously late
Rock stars aren’t accountants, and nobody expects them to take the stage at the precise moment listed on the ticket. We get that. A little late is good, even. It gives everyone time to park, deal with will call, wait in the bathroom line and get a beer. But some artists routinely take the stage two, three or even four hours late; Lauryn Hill, we’re looking squarely at you here.Read more: Annoying Rock Star Behavior
Is talent something we are born with, or something that can be developed in anyone? Maybe a bit of both.
David Shenk wrote about this on the the Genius Blog: The Genius in All of Us.
How can we explain the vast differences in musical ability? How can one species produce Paul Simon and William Hung? Are we born with musical talent, or do we develop it? Let’s sort through the research:Read more: Do You Have Musical Talent?
I recently found an interesting article on organizing a band and dealing with the changes that come along in this business of music. The excerpts below touch on a few of the topics covered and how to deal with them.
Music is a business. You have to decide how seriously you want to pursue your personal enjoyment versus making money. This is not to say that you can’t have both and sometimes if you plan carefully you can have a rewarding experience in every way.
Music is all about entertainment. I am not suggesting you get a monkey and organ grinder. Act like you have an interest in what’s going on. Have confidence. You’re probably much better than you think.Read more: Organizing a Band
If you are a songwriter and are having a song published or recorded, it’s essential to join a PRO (Performance Rights Organization). The two primary ones are ASCAP (American Society of Composers, Authors and Publishers) and BMI (Broadcast Music Incorporated), although there are others as well, such as SESAC (no longer an abbreviation for anything).
The purpose of a PRO is to monitor the use of member’s compositions and make sure that they’re compensated. That said, this article on DIYMB starts by asking the question:
“ASCAP vs BMI, which one is better? This has been an ongoing debate for many years with no clear answer.”Read more: ASCAP or BMI – which one is better?