By Miguel Andoor
Learning proper singing technique is of course vital to your success as a performer. However, more important than this is the sense of your core, and your empathy with others — in short,your humanity. Without these traits, a performer cannot hold an audience’s interest, let alone captivate an audience. How do you develop these traits?
Be a social creature. Mix with people and nature, and realize that you are a member of both groups. When constantly engaged in a dialog with your fellow humans, you will recognize the essence of a great singer; it is the same as the essence of a great human being.
To develop this recognition, simply meet and greet people with warmth every chance you get. Greeting audience members before or after a performance is a good start. There are opportunities throughout your off-stage life for you to do this, also. Consider that even though you may be in a checkout line in a supermarket, or eating a meal in a Chinese restaurant, you’re still on stage and still performing. The personas we unconsciously don when we interact with the external world can help us connect with others, or distance us from others. The choice is yours. Decide to connect, and you’ll discover resources that penetrate your persona. These resources can only help your singing.
Recognize that you are your first audience, and critic. You may not be your best audience or critic, but you can develop greater objectivity about how you sound. First, identify what it is about your singing that you like. Are there particular songs, or songs by a particular composer that make you value your singing more? Conversely, are there songs you sing that make you cringe at the sound of your voice? Write these distinctions down, and find patterns in them to help you discover what exactly it is you like best about your voice.Continue reading Captivating An Audience
Whether you’re going to be singing in a live performance or a recording situation, proper vocal preparation is essential. Warm up exercises not only improve the quality of your singing, they also help protect your vocal instrument from damage.
But it’s not just the singing that can cause damage. Screaming, too much talking, or talking in noisy surroundings can also stress your vocal chords.
The lead singer in a band I was in had to stop singing for three months due to damage to her vocal chords. We were playing every weekend in a local bar, and, in between songs, people would come up and talk or request songs.
The damage was caused not by her singing (her singing technique was excellent), but by having to lean over her keyboard and talk over the crowd noise.
Some other good suggestions for vocal performance preparation come from an article on a discmakers blog:
When preparing for a vocal performance or studio date, “the obvious thing to do is rest,” recommends Ebbers. “But there are environmental things you might not be aware of or consider an issue, like being in a place where the decibel level is much higher than you think it is. In order to compete with the sound, you have to strain your voice to speak louder to be heard or understood. Many times, people are unaware that they’re in such an environment, because there are so many noisy places in our world, and we’ve come to accept them and adjust. But when you’re a singer, you have to be more aware of these environmental conditions.”
If you’re playing club dates, bars, or parties, the quality of your performance and your vocal health can be severely impacted in the hours leading up to your set by talking and socializing before you get on stage. “Don’t go screaming at a football game or tax your voice before a performance or session, even if it’s two weeks before a session,” says vocalist, studio owner, and producer Jon Marc Weiss. “That can take its toll on your throat and vocal chords and can really mess you up. Keep in mind that you need to keep your voice in tip-top shape so that when you’re called on, you can perform.”
Read more: Don’t Tax Your Voice Before a Vocal Performance